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NEWS ARCHIVES
Fotonation Fasttrack Hardware Accelera
Sanyo launches fast full HD digital mo
Friends And Family Remember Alexandra
Blog Reunites Owners with Cameras and
Nikon D3 and D300 to star at photo sho
20% Off Filter Forge
FIRST LOOK: Olympus Tough MJU 1030SW a
Japanese trade body axes film camera f
Kodak Enhances Digital Picture Frame P
CEIVA offers free software upgrade
Digital Anarchy creative software comp
IDC Forecasts Continued Growth for the
World?s largest digital camera install
Lexar JumpDrive Lightning drives
Olympus announces 3 FE-Series digital
Mac OS X 10.5.4 Update
Canon digital cameras popular in Europ
Canon Powershot SD870 IS Review
Panasonic Lumix DMC-FS5 and FS20 annou
MySlideShow
Plawa AgfaPhoto DV-5000G multimedia ca
Svelte Canon Rebel XSi
Using Akvis Enhancer for B&W
Finally, I Place to Receive Honest Fee
LifePics Launches Its Innovative New T
The NPD Group: Digital Camera Consumer
Ricoh Unveils the Aficio SP C400DN Col
Olympus E510: Review
New KODAK AutoMagic Self-Burning CD-Rs
Fuji Finepix S8000fd - Review

REVIEWS & PREVIEWS ARCHIVES
FujiFilm FinePix S9500 review
FujiFilm FinePix V10 review
Canon EOS 400D / Digital Rebel XTi Rev
Panasonic Lumix DMC LZ5 review
Fujifilm FinePix F31 fd Review
Panasonic Lumix DMC L10 review
New CMOS sensors catching on in camera
Nikon Coolpix 5400 review
Canon Rebel XSi ups rez and adds live
Panasonic Lumix DMC-TZ3 Review
Flashing in circles
Apple upgrades Aperture ambitions to 2
Sigmas vaunted DP1 camera due soon--fo
Field Report: Olympus E-3
Canon Powershot S80 review
Like Polaroid film? Better start hoard
FujiFilm FinePix Z2 review
Pentax Optio T10 review
Canon EOS 7D imminent?
Lens Test: Canon 17-55mm f/2.8 EF-S IS
On Adobes Lightroom radar: panoramas,
Canon Powershot S2 IS review
Sigma expands stabilized lens line
Does the world need a 32-inch digital
Sony DSC-H3 Review
Nikon D2X review
Camera Test: FujiFilm FinePix F50fd
Lens Test: Olympus Zuiko Digital 14-42
Sony Cybershot DSC P32 review
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Are 14-bit Raw Images Really Any Better Than 12-bit Raw?
“Just when you think you’ve gotten a handle on the JPEG versus RAW debate and which color space is better than the other, along comes a new choice to make. From the earliest days of support for raw file capture with digital cameras, they have always been 12-bits per pixel. Now both the Nikon D300 [...] Read More

Source: Photo News Today (2008-01-14 12:00:19)





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