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NEWS ARCHIVES
The first Circular Fisheye Lens exclus
Canon EOS-1Ds Mark III Firmware Update
Olympus Announces Details on SLR Under
Photography Hand Trucks and Carts
Fong fever hits Nikonians Photokina bo
DCRP Review: Kodak EasyShare Z1085 IS
5 Tips for Acquiring Old Cameras
Returning to the (Digital) Darkroom
SanDisk FlashBack Adapter
10 Tips for Serious Microstock Wannabe
Kids & Photography
Samsung F480 review
Canon replaces PowerShot G9
Hamrick VueScan v8.4.71
Delkin Pop-Up Shades for Nikon D3, D30
Adobe green lights Lightroom 2
Sigma releases 18-200mm lens for Nikon
Panasonic Lumix DMC-FZ18 has a lot to
Win an Olympus E-520 at DPNow
How to Send a DMCA Takedown Notice
Leeson to Leave Dallas Morning News
11 Ways to Take Better Camera-Phone Pi
The Zen of Photowalking
Lacie Hard Disk, Design by Neil Poulto
Fujifilm unveils Finepix J100, J110W,
Early camera brings new meaning to ?ph
Sony DPF-D100 and DPF-D80 Photo Frames
NIKON’S NEW WIDE-ANGLE PC-E NIKKOR 2
?Network Printing? - Digital Photograp
Review posted for Sony Cyber-shot T2!

REVIEWS & PREVIEWS ARCHIVES
Adobe releases DNG codec for Vista, up
Sony opens the floodgates
Pentax K10D Review
Panasonic Lumix DMC FZ8 review
Sigma releases another DP1 firmware up
Field Test: Sony Alpha DSLR-A700
Sony Alpha DSLR-A700
HP, cameras, and Web 2.0
Canon PowerShot SD900 Review
Sony Alpha 700 review
Sony Cybershot DSC T1 review
Kodak EasyShare P712 review
Panasonic Lumix DMC L10 review
Lens Test: Sigma 18-200mm f/3.5-6.3 DC
Photo Safe II: Digital camera storage
FujiFilm FinePix E550 review
Sony Cyber-shot DSC-W90
Sanyos flashy Xacti HD700 follow-up ad
Nikon Coolpix P5000 Review
Panasonic Lumix DMC FZ18 review
Camera Review: Sony CyberShot DSC-T2
Sony Cyber-shot DSC-W200
Microsoft hopes scRGB will improve pho
Flashlight DVR brings us closer to liv
FujiFilm FinePix S3 Pro review
Canon Digital IXUS i Zoom review
Panasonic Lumix DMC FZ50 review
Panasonic Lumix DMC-G1 Preview
Ricoh Caplio R1 review
Fujifilm FinePix F31fd Review
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14-bit Raw Versus 12-bit Raw: Further Analysis and Comparison
“Both Nikon and Canon now have cameras that can shoot in 14-bit raw mode rather than the traditional 12-bit raw. I wrote at length last week comparing whether the larger 14-bit files are actually any better than 12-bit raw, looking mainly at resolution as it relates to shadow and highlight recovery. This week I want [...] Read More

Source: Photo News Today (2008-01-25 14:00:13)




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