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Indecent Exposure 30: Inspiring examples

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Episode 30

Originally posted at Indecent Exposure Podcast

Borderline useless: Bottle cap tripod mount

Lone travelers, vain photographers, or anyone too shy to ask someone to take their picture finally have a convenient way to include themselves in their photographs, thanks to Charles & Marie's bottle cap tripod.

The $10 "gadget," and I use the term loosely, fits (not screws) onto almost any bottle top and a universal tripod adapter on the opposite end holds your digicam in place while you sneak into the shot.

Captain Obvious says: depending on the size of your camera, be sure that the bottle you use is at least half full (or empty), or you'll find yourself waving goodbye to both gadgets at the same time.

More images after the jump.

New Yorkers can finally 'Look Good In Pictures'

Click to get more details.

Hate the way you look in photos or the way you take photos? Here's your chance to get some free help with both, assuming you're in the New York City area Wednesday, November 19.

Carson Kressley, former Queer Eye guy and current star ...

Adobe ships Configurator for custom Photoshop

Colin Smith of PhotoshopCafe.com has released a proof-of-concept tutorial for Photoshop selection techniques using Configurator. A final version is due soon.

(Credit: Adobe Systems)

After a slight delay, Adobe Systems has begun shipping Configurator, an application that lets people create customized Photoshop CS4 control panels and share them with ...

Originally posted at Underexposed

Adobe soups up Photoshop with Pixel Bender

Pixel Bender enables a new range of effects sped by a PC's graphics chip.

(Credit: Adobe Systems)

Adobe Systems on Monday launched a technology called Pixel Bender that brings new effects to Photoshop--and some new work for computers' often-idle graphics chips.

Pixel Bender, presently an Adobe Labs project, is a new engine for enabling many image transformations. Examples include a kaleidoscopic hall-of-mirrors effect, a twirled distortion effect, a fisheye lens effect, and a ray-tracing effect. Some effects are available at the Pixel Bender Exchange.

Originally posted at Underexposed

Indecent Exposure 29: Instructive exhibits

Lessons from our first contest, a verdict on the Panasonic Lumix DMC-G1 and books for beginners.

Episode 29

Originally posted at Indecent Exposure Podcast

A view on EVFs

The Panasonic Lumix DMC-G1 uses an electronic viewfinder.

(Credit: CNET Networks)

The Panasonic Lumix DMC-G1 has made history as the first non-SLR digital camera to sport interchangeable lenses. And while it exceeds my expectations with respect to speed and photo quality, it lives down to them, unfortunately, with respect to ...

Red cameras encroach on Canon, Hasselblad turf

The Red cameras come with a lot of not-so-cheap accessories.

(Credit: Red Digital Cinema Camera)

Red Digital Cinema Camera, a new maker of high-end digital movie cameras, is expanding its turf closer to traditional camera makers such as Canon and Hasselblad.

On Thursday, Red announced a new range of modular camera designs that it plans to deliver mostly over the coming year and a half that can take not just high-resolution video but also still images. The move comes just as Canon and Nikon have begun adding video support to their SLR (single-lens reflex) cameras.

Red hopes to ship a large-format camera sensor in 2010.

(Credit: Red Digital Cinema Camera)

Various new models from Red will be able to accept lenses from Canon, Nikon, and Mamiya, a move that could make them a more serious possibility for professional photographers, but the prices--thousands of dollars to tens of thousands--restrict this equipment to a very small market.

Certainly Red's new cameras will never be as widely used as video-enabled SLRs costing less than $3,000. But Red, if it can deliver on its promised road map, holds the potential now of shaking up professional markets. Its original Red One video camera did, winning high-profile accolades from Lord of the Rings director Peter Jackson among others for its ability to outdo film.

What's unclear is how well cinematographers used to video will take to still imagery and photographers will take to video, but the two realms are certainly growing ever closer in the consumer market.

High-end sensors
The models come with a variety of high-end sensors: a 24-megapixel chip the size of the 36x24mm full-frame sensors in the top-end cameras from Nikon and Canon; a 65-megapixel 56x42mm sensor competitive with those in medium-format digital cameras; and one large "617" format sensor that measures a whopping 186x56mm and whose 28,000x9,334 pixel resolution comes to 261 megapixels.

Red divides these new camera models into two lines, the more compact Scarlet models and the more powerful Epic models that can reach higher frame rates with high-resolution sensors. Also accompanying are a wide range of cinematography accessories such as a 1,080p LCD video monitor, an input-output module, lens mounts, battery packs, and wireless controllers. One fascinating combination: a harness that sports a pair of cameras for shooting 3D movies.

Red has a line of lenses for its cameras.

(Credit: Red Digital Cinema Camera)

With the models, Red is trying to establish a new category called "digital still and motion cameras" (DSMC). Whether it will succeed with the jargon is anyone's guess, but the technology certainly is coming: Nikon's new midrange D90 became the first SLR camera that can shoot video, too, and Canon's higher-end full-frame EOS 5D Mark II is about to ship.

The 5D Mark II can shoot 1080p video, but Red's cameras record at higher resolutions geared for digital movie projection systems.

One area where digital photography has wrestled with film is in dynamic range--the difference between light and dark areas. With poor dynamic range, dark areas disappear into black murk and bright areas wash out. Red boasts of a wide range, though, with its full-frame, medium-format, and large-format Monstro-brand sensors all producing 16-bit data spanning more than 13 stops of dynamic range. The cameras shoot video or still images using a raw image format that accommodates the data.

Originally posted at Underexposed

Do you really want your digital picture frame to do more?

PhotoVu 19-inch Wi-Fi digital picture frame with Microsoft's FrameIt software

(Credit: PhotoVu)

On November 13, digital picture frame (DPF) manufacturers PhotoVu, Smartparts, ViewSonic, Pandigital, Aequitas Technologies, and others announced that they do or will have DPFs that take advantage of Microsoft's FrameIt application. Part of Microsoft Live, ...

Camera disguised as book exposes 10-year-old girl in all of us

(Credit: Fred Flare)

Inside all of us, there lives an inner creep just itching to get out and secretly take photos of unsuspecting members of the opposite sex. The secret book camera, offered here by Keith Carollo and Chris Bick of Fred Flare, definitely confirms that theory. The camera uses inexpensive 110 film and is the perfect size to stick in your backpack or Miley Cyrus-approved clutch purse.

You know what this camera reminds me of? That one scene in Troop Beverly Hills where shevillain Velda Plendor hides a camera inside the Girl Scouts book so Herman can spy on the tragically affluent Girl Scouts of Beverly Hills. Wait, what? You're not as self-deprecating as I am? OK, well I loved TBH and now I can finally live out my cinematic fantasies. Never mind that it's seafoam green and made to look like an antique toy for children--I just so happen to have $55 burning a hole in my apron. Patches?! We don't need no stinkin' patches!

Check out more pictures of the camera after the jump.